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A Short Apnea and Gorge Trio biography, A Short Apnea and Gorge Trio discography
Format: CD
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Condition: Mint (M)
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Comments: New and Sealed.Please contact us for details.Payment Information: Paypal, Bank transfer, Ricarica Postepay (Italy only).Gorge Trio: For Loss Of , 6.The Gorge Trio is John Dieterich on guitar, Chad Popple on drums and
Ed Rodriguez on guitar.Colossamite is the Gorge Trio augmented with the unholy growl
of Nick Sakes of the Dazzling Killmen.The Hot House is a terrifying firestorm of dissonant guitars, chaotic
drumming and beastly shouting, like the
Trumans Waters in their punkier moments.The instrumental Heat Vs Temperature recalls the Mars' devastating
bacchanals.Mr Somebody Does Something is Captain Beefheart's free blues jamming.Fugazi and
Jesus Lizard inspires less demanding fits of rage
such as Pee Dio.Popple and Rodriguez also moonlight in Iceburn,
Dieterich has his own electronic project, Appleseed.Nick Sakes' next project is Sicbay, with
Ed Rodriguez on drums and Dave Erb on guitar.The Gorge Trio's
Open Mouth O Wisp (Skin Graft, 2004) is too fragmented and anarchic to
stand on its own merits.Rodriguez si era interessato
precocemente di jazz e di musica classica.For Loss Of (Free Land, 1999)
conserva la ferrea logica di quell'album nello stesso tempo in cui si
concede improvvisazioni quasi psichedeliche, come se Captain Beefheart
avesse scoperto il minimalismo.Colossamite sono il Gorge Trio cui si aggiunge il grugnito profano di
Nick Sakes dei Dazzling Killmen.All Lingo's Clamor (Skin Graft, 1997) e
Economy Of Motion (Skin Graft, 1998)
sono inflessibili quanto quelli del Gorge Trio, con
l'eccezione di Sakes che aggiunge un efficace senso drammatico alle
canzoni.May 15, 2008, 1:38 pmJoin our community!With Diskonnekted I wanted to update the sound of EBM.We have always loved bad horror movies and cult movies like Evil Dead and Hellraiser.Honestly, when you started did you really think you'd put out that many releases?Wallace records started in 1999 since I wanted to create a compilation and see how it was to put out a record.Obviously when I started I couldn't imagine I'd have put out seventy records, and I couldn't predict what kind of music I was going to be involved with....Someone may say that's immobility, someone else may call it coherence.Good, you put lot of emphasis on coherence: why?Everyone who is involved in it (bands, labels and so on) should confront that knowledge and everybody has to act following his own personal values.After that, I want to say that I don't like music with political lyrics (such as "combat rock" commercial bands) and I often search for "the pure pleasure of listening", but obviously if I run a label I think I have to do my best to create something different from the official business related to the music market.Influences are inescapable and it's obvious there's always something that recalls that period.Or maybe it's just that I'm an elitist snob and I simply try to distance myself from the actual trend of the Eighties revival....What do you think about it?I'm not so glad Wallace is considered a label focused on "off" music, also 'cause that's not true.This wide spectrum of genres completely reflects my personal taste; I also think heterogeneity is the dominant characteristic of Wallace records.If my memory doesn't fail me, I've never realized a record with just a demo...Perhaps I've put out Bz Bz Ueu just knowing them through the phone.Anyhow the real point is that I don't care about demos, it's just that I care so much that the bands are aware of the "troubled water" they're gonna sail when coming out on Wallace.Maybe it's all up to the good wine or to the oversized meals we've had together....We're talking about small numbers anyhow, I mean one thousand or one thousand five hundred copies.Unfortunately that has also to do with the fact I'm not one of those who "pushes" to get reviews or (even worse) interviews, and you know, when the work of a journalist becomes "routine", it's easier to answer to the requests of a promotion agency than to go "deeper".Believe me, that's not an accusation to the press, it's just the way it is.CD and it combines two big "monsters" like A Short Apnea and Gorge Trio.Another worse seller unfortunately is Andrea Caccia's movie, but the problem with it was the fact that it came out in VHS format, a month before the DVD format took over the market.It's sad for those who missed it, it's top notch for real!Wouldn't it be easier to produce more and more foreign bands to sell a bit more records?To me working with Rollerball or with Arrington (Old Time Relijun) has been like working with any other Italian band.CD, a VHS video, and a comic.The things I've realized till now, as I've said, I did with artists I happened to know, and I don't foresee that many different objects other than CDs or LPs in my catalogue, but if I should come into something that's suitable for Wallace: you can bet I'd start collaborating!Which labels inspired you to start a label and which do you like now?But, those are sort of my personal milestones.Today I'm into Load records, Ipecac, Gsl....Every day I put a new CD in my stereo, I wish it would make me yell: "Fuck!!!"Rodan, or Flying Luttenbachers back in the days.Chicago between 1995 and 2000.It sounds like there's a lot of nostalgia inside that answer.What you say is true, "To march and not to rot!"Probably for whoever's judging Wallace from the outside, it looks like it's always the same shit.Some time I happened to read, "This record is the average Wallace release" and I hardly agreed with that...Damn, probably I do sound a bit nostalgic!?Thank you for reading this page!As brutal as it is, it is meant to heal and make things work again.Votre navigateur doit accepter les cookies.Le coup de gueuleBig fat box of shitVoici un groupe aussi ridicule que son patronyme.Il y a des extraits audio pour ce disque.Une musique trippante qui se donne des airs de fin du monde.Ce site s'affiche mieux dans un navigateur respectueux des standards.
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