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Ablaye Cissoko biography, Ablaye Cissoko discography
Music has long transcended geographical and cultural barriers to forge new sounds.That bond is manifested once more in the collaboration between vocalist and kora player Ablaye Cissoko and trumpeter Volker Goetze.Out of that meeting came the decision to record together.He makes it another voice, to accompany and embellish not only his singing but the trumpet of Goetze as well.Goetze's lyrical approach to the trumpet is in keeping with the mood of the songs, and his deliberation soothes and brings in a balmy air.His words may not be understood, but their emotional impact is undeniable.The first story that the two tell is of "Sira."The mood is established right off with the notes from the kora rising in crystal purity.Visit Ablaye Cissoko + Volker Goetze on the web.Personnel: Ablaye Cissoko: vocals, kora; Volker Goetze: trumpet.World
Published: November 30, 2008
Read more reviews of Sira.Ablaye Cissoko and Volker Goetze's cover of
Sira.Somewhat banal in its aesthetic, it does however cleverly encapsulate the record's
adventurous proposition: two musicians of clearly different backgrounds standing shoulder to shoulder in a
dry, Senegalese alley.As master
painter Lovis Corinth professed, "The truth is in the details, not the broad sweeps."In such circumstances, traditions become proudly guarded jewels passed between generations inside
families, tribes and communities.Ablaye Cissoko rises above the hardships of his own to sing songs
of hope and peace.In that typical softness, generosity and warmth that characterizes the African people, he
appears indeed like a white dove amid an arid, desolate landscape.As is the constant necessity to recall the unfortunate sufferings endured
by those born without wings.Style: Beyond Jazz
Published: November 02, 2008
Read more reviews of Sira.ObliqSound
Simple ingredients result in a deeply spiritual and greatly satisfying recording.By no means a jazz record, Sira is the third disc by Senegalese griot singer and kora player Ablaye Cissoko, here joined by German jazz trumpeter Volker Goetze.Indeed, the griot plays roughly the same role in West African societies that the bard played in Medieval Celtic societies.This collaboration takes things one step further.One is immediately struck by the stark beauty of this recording.Goetze playing unison lines or counter melodies on muted or open trumpet.It requires a high level of accomplishment for musicians operating with such a limited aural palette to maintain interest, but these two are up to the challenge.These players avoid that pitfall by virtue of their deep listening, sensitivity, and respect for their disparate worlds.Blogcritics is an online magazine, a community of writers and readers from around the globe.What drew me in though, was no mystery.Throw Cheap Trick and a little Springsteen in a blender and there you have it.The music of Ablaye Cissoko and Volker Goetze is at the far, far end of the mystery spectrum.Part of it is definitely his reedy and beautiful voice.The kora is quite versatile, allowing bass lines to be played with melody added on top.They conjure up a very warm and intimate musical relationship.Email this
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Want comments emailed to you?Personal attacks are not allowed.OMG I haven't been on here in over a year!On Music Playlist: Top 13 Most Overrated Songs by Jon: Morrison didn't write "Light my Fire".Robby Krieger did, watch the freakin' movie, read the freakin...Personnel: Ablaye Cissoko (vocals, kora); Volker Goetze (recorder, trumpet).ShowWMP)
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document.Click on the buttons below to play song samples1.Richard started taking piano lessons when he was ten.He took piano lessons for one year.High School Band at Franklin, Jr.He played the baritone horn at Franklin, Jr.High and then one year later started playing the trumpet at Horace Mann, Jr.High under the direction of Leroy Flemmings, who had played with trumpeter, the late Miles Davis as well as James Brown, Otis Redding, and the Army Band.Richard quickly advanced on trumpet and in 1989 just five years later, auditioned to join one of the twelve Marine Corps Bands as a trumpeter.While moving to his 2nd duty station at 29 Palms, CA, he switched to the euphonium and played the euphonium for the remainder of his enlistment.It was during these formative years that Richard became interested in Smooth Jazz and began writing more instrumental music.He toured from coast to coast in the summer of 1998.In 1998, he began working as a recording engineer and studio musician under the direction of Tom Bartlett and recorded his first full Disk of original music in which he played all the instruments including tenor and alto sax, trumpet, valve trombone, keyboard, keyboard instrumentation, percussion, and vocals.Denim Road is music without boundaries.The musicians in Denim Road have a rapport that allows each player's individual influences and ideas to elevate the music while still remaining soulful and grounded.GuidelinesRemember to focus your comments on Ablaye Cissoko Sira CD.Upon approval, your review will be published within a few days.Please do not use this form to comment on web site errors or for order related questions.
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