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  Adriano Lanzi and Omar Sodano Mp3, Adriano Lanzi and Omar Sodano Music Lyrics
 
Adriano Lanzi and Omar Sodano


La Vita Perfetta
year: 2004
genre: electronic
price: $2.00
tracks: 10


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Adriano Lanzi and Omar Sodano biography, Adriano Lanzi and Omar Sodano discography

Adriano Lanzi and Omar Sodano were both born in Rome in the beginning of the Seventies.Around 1997 they began to shape a project together, recording improvisations with different guest musicians, and making their own experiments with electronics.Freispiel, (2002) with the dismembering and rebuilding of Carousel II.And more recently to their debut album La Vita Perfetta, where they played all the instruments except the winds, performed by three friends from the folk and free jazz scenes of Rome: Renato Ciunfrini, Ersilia Prosperi and Federico Fabrizzi.Anadi Mishra, who puts his hands on a vast collection of percussion instruments from all around the world.Gitarristen von Faust solo zu erleben.Harry Partch fan: the chronicler of the American underbelly has been playing confidence games with his identity and music since the 70s.Lou Harrison Wrestling his way out of the imprisoning straitjacket of Western tuning systems, the West Coast composer hears the chimes of freedom in a junkyard gamelan constructed out of automobile brake drums.Tchad Blake The producer who has worked with Peter Gabriel, Los Lobos, Suzanne Vega and Tom Waits finds inspiration from the locals in Zimbabwe.Velma is also listed on this compilation of the label Klangbad, home of legendary German band Faust.Omar Sodano, Permanent Fatal Error, Hans Joachim Irmler, Nista Nije Nista, Faust, Lars Paukstat, and Markku Peltola.Audiac: Everybody is Sneaking, Baby4.Ole Lukkoye: White Stone (Net Doma)9.And they are not the only ones.First Steps is a sampler which features artists who have gathered to record a variety of left field, often equally unique, music.In fact none of these bands sound much like their godfathers.Could you imagine them allowing that to happen anyway ?These artists share a label but have their own identities.Kraftwerk melodies with tinkling keyboards and distant deadpan vocals while Audiac dabble in some the vacant territory created by the silence of Portishead.It is not as disturbing perhaps but the use of strings and Hammond organ creates an unsettling atmosphere.There are some unusual sounds here but perhaps the oddest combination comes from Ole Lukkeye, a band from St Petersburg.And so do Circle, who, in parts, do reveal some Faustian influence in their use of relentless drumming and swathes of guitar noise that boil and shriek then fade away.They also utilise some gentler atmospheric acoustic guitar on Northern Sky And apparently they sing in an artificial language too but not on these two tracks.It is an identifiable sound, a portion amputated from the collective Faust sound, and is part of a solo project.What I like about these two albums is the sense of musical diversity and, in the case of Faust particularly, a stubborn drive to do it their way and see if the listening world catches on and keeps up.Lilly Winter Press: coming soon Picture gallery: coming soon Visitor experiences: Article 1 (Florian Urbanski for www.
 
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