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Afro Music biography, Afro Music discography
Anthropologist Gerhard Kubik on Africa and the Blues
Links for Artists Featured on "globalFEST 2008 and Looking Down the Road Ahead"globalFEST 2008.Acoustica
Acoustica
The Life and Times Of...Long Live Andy Palacio Tribute Concert in NYC20th Anniversary Contest: Win a Free iPod Shuffle and Stack of Afropop CDs!Gospel From Roots to Rap
20th Anniversary Contest: Win a Free iPod Shuffle and Stack of Afropop CDs!!News, music, arts and culture, society, travel, events.The most extensive discographic database
on African and Caribbean music.Many links towards artists, labels, festivals sites.The first Calypso Hits
The first calypso recording was made in 1914.Oct 6, 1941 in Lengna, Trinidad.Rock Steady style of music by slowing down Ska.The origin of the word Reggae is hard to determine.Western music, from orchestral works to
ragtime, from jazz to top 40 music.In recent years there has emerged from Cuba
a new style of music; very aggressive, intensely rhythmic, and extremely danceable.Cuban music styles, this courtship
has been on the increase.And now the American music industry wants to join
the frenzy.What will this influx of interest, of industry, and, quite possibly
of the promise of many dollars, mean to Cuban popular music, and to Cuban society?Socialist regime have not been
extensively, if ever, studied and written about.Cuban group Los Van Van says that Timba lies halfway between
the traditional Cuban son and salsa .Each musical genre, and Cuba has 20 or 30, has a dance.Dance has not been standardized in Cuba, as new musical styles create new dances,
and, in cases like Timba, the dances create the need for a new, fresh music.Cuban musicians and their music.Cuban music, especially in the years that this author has been involved with
it, is the constant growth and evolution of the music.Havana record store, I was told that there was no salsa to be bought.Only Cuban music could be bought there.Formell says that due to
the international music scene, Cubans were forced to call their music salsa.But he feels that Timba is so strong internationally, Cuban music now has its
own identity and no longer relies on the salsa name.There also seems to be different opinions about this new music within
the Cuban music community.Son is recognized as the most influential Cuban music style of the
20th century.Timba is music of the barrios, it is generally recognized that son came
from the blacks in the barrios.Son became commercially acceptable just as Timba
is now very commercially acceptable.As son first began to be performed in Havana,
there was a general distaste of and public outcries against the music.La Charanga Habanera, was punished
for what may have been a variety of reasons.Hey green mango, now that you're ripe,
why have you still not fallen?The words may have been in reference to
Fidel Castro, usually dressed in green fatigues.The government acted swiftly in banning the group from traveling overseas or
performing in Cuba.An important part of son is the call and response (called inspiraciones).The tempo can accelerate and the music takes on an important, forward motion.The music is strong and seductive.What now occurs much of the time is a very rhythmic and driving section,
sometimes featuring rap or a form of rap.It is a new and potent form of expression.The rhythm is incessant and driving, with drumset and percussion
featured.Once again, appropriating from the sacred for use in the
popular.Just living another twenty four is my focus.Salsa Doctor) was one of the first Cuban artists to utilize rap in his songs.The style caught on with the Cuban
public other bands noticed the popularity, and the style developed further.It may be obvious to the observer that in Cuba social protest is frowned
upon by the government.In Cuba, rap is an extension of the new music.Young Cubans feel that the Cuban government is fully against rap
music.There have been rap festivals
in Cuba, specifically in La Habana (Vibe, 1996).This tradition is very well established in Cuba.Watching the dancing which accompanies much of the music of the
hip hop culture, one cannot help but notice the African roots.Cuban dancing styles), and the African martial
arts dance form of capoeira from Brasil.The legacy of the drum is very
important in Cuba.Whenever a change is made in existing musical forms, especially
percussive forms, it is to be duly noted.Aggressive horns rise out of the rhythm, creating a hypnotizing
curtain of sound.Cantor, Miami New Times) The opening up of international borders, the ability
of Cuban musicians to travel abroad, has had a lot to do with the new styles.Adorno wants it to sound) like automobile production, assembly line
sameness.But composers and arrangers are constantly striving for new
levels of creativity.Blacking, ) Is this escape
or distraction?John Blacking (and others) and Theodor Adorno (and others) are at odds
on this very important point.Of course, it also takes on many other roles.This writer has long believed that music is the life blood of Cuba.United States is an important subject to factor into any comments about
the music and business of music in Cuba.War I had just ended and povery was rampant.Fidel Castro, the Cuban government
was but a puppet being played by the United States.Cuban government of Fulgencio Batistsa
and the Mafia, headquartered in major cities in the United States.Cuba, maintained by the United
States government.American embargo, has, to a great degree,
emboldened Cuban society.The intense level of nationalism
in Cuba affects musical and other forms of expression.Cuba had sent their sons and daughters to study in the United States
and the Cuban youth were being taught this new music.After the success of the Cuban
revolution, musical life in Cuba began to expand and grow.Before 1959, Cuban music production
was controlled, in a very league part, by American companies.The revolution halted the sharing
of culture between the United States and Cuba.The new ease of travel to the United States allows the Cuban musicians to do
just that.This travel has allowed many Cuban musicians to share their musical
knowledge and pride of being Cuban with their North American musical counterparts.Lyrics of many of the new songs in Cuba tell stories that cannot
be told in the press.My advice would be definitely come, try not to be an
ugly American and try not to pollute the people with materialism.Americans, it'll be ruined within two years.Common Ground radio broadcast, September 23, 1997).Cuba and the United States and the realization that U.Cuban popular music, a reaction to internal social pressures,
the need for dollars or combinations of all of these factors?The music of timba maintains its aesthetic autonomy but does not live up to
the fait social of other musics.Absolutely, there is a social function to the music,
and quite possibly a psychological function as well.And perhaps it is fortunate that socially conscious lyrics
do not exist in most Cuban popular music.If popular music turns into commonplace and banal occurrences, then the messages
may also get lost in the music.Cuban culture is a valuable commodity
in Cuba.Being subsidized by the Soviet Union, Cuban artists could
concentrate on their art for the sake of the art.It is very much a way of bringing in much need
American dollars.How will the emergence of a music
industry in Cuba effect Cuban society?Cuba has to make substantial changes in
order to reap the benefits.Cubans no longer want to be taken advantage of in
the area of the business of music.Menendez feels that this change is
not altogether altruistic.He feels, in part, that it is part of an attempt
to undermine the Cuban government.Track one threatens retaliation against foreign interests in Cuba.La Habana, record executives from Los Angeles, New York, and Miami has come
to trade in what is the new Cuban cash crop.Music business representatives have
been some of the first American business people in Cuba (Cantor, 1997).Companies are signing distribution deals with
companies in Europe which have offices in Cuba.The Cuban government needs capital
and one way to acquire this capital is to send the Cuban musicians out on tours.Cuban music, and has
driven the growth of the Cuban music industry even more.The touring Cuban musicians make more money on the
road than if they would stay in their own country.Cuban musicians can now enter
into record contracts (Cantor, 1997).Since 1993, Cuban musicians can enter
into contracts with foreign labels as long as taxes are paid.Cuban revolutionary government, concerning the music industry
and its entrepreneurial status.Part of that emulation is the need for
an accumulation of goods.Cuba, for 15 Cuban pesos, less than one dollar (Cantor, 1997).American dollars have to be used to buy CDs or CD players, and there is not
enough American dollars in very many of the typical Cuban households.Cubans is so meager that purchasing music on CD is very uncommon
if not impossible.Cuba, operating with no computer and with representatives scattered throughout
the island.World Wide Web although some have email access) can money be tracked and correctly
distributed?Cubadisco president Ciro Benemelis asserts that Cubans have to learn how
to do business and to be more connected internationally.The music industry is there for
profit, profit generated from sales outside of Cuba.Cuban music industry driving the musical taste of the Cuban people as much
as it is driving international musical tastes?Thus the two are inextricably intertwined.Madrid, 1987) The Cuban economy is still as highly dependent
on sugar as it was thirty years ago.Cuban worker and those of the Western industrialized countries.The cause of this disillusion
may be the dire straits of Cuban existence.There is boredom in Cuban life.This music is not
boring, as Adorno seems to suggest of all (or at least most) of popular music.And can this nature exist and grow
as Cuba becomes more reliant on outside economies to aid it in its existence?Hobshawn) maintain its integrity
without falling prey to profit?This new musical style from Cuba
is clearly an evolution of Cuban popular music.Can one expect Cuban composers
to acquiesce to the pressure of the industry?Only in this way can these very understudied and extremely important
questions be properly addressed.North American and Cuban perspectives, Manuel, P.Adorno, Theodor 1989 Introduction
to the Sociology of Music pps.Adorno, Theodor 1989 Introduction
to the Sociology of Music pps.Essays in memory of Peter Nettl: Imagination and Precision
in the Social Sciences, ed.Note: some videos not suitable for minors may still appear in search results.This video has been added to your favorites.The video has been added to your playlist.Change the value of a comment by clicking on a thumb.Mayb in the mo'nin, thing gon be alRight...Music video for "Let's Get High Tonight" by Afr...You Never Even Called Me By My Name!It has been suggested that this article or section be merged with Cosmic Disco.The music genre and mixing style shares some history with Italo disco.Flangers and equalizer effects are applied, not like the overexcited tantrums of a modern DJ, but rather methodically and with deep feeling, changing the texture of entire passages, as if we are gently passing from a radio show through a train tunnel back to a great concert hall.Izitso album of Cat Stevens, and then Lee Ritenour, but also Depeche Mode at 33 instead of 45, or a reggae voice by Yellowman at 45 instead of 33.Brazilian batucada and mix it with a song by Kraftwerk.Miriam Makeba, Jorge Ben, or Fela Kuti, or I would play the Oriental melodies of Ofra Haza or Sheila Chandra with the electronic sounds of the German label SKY.Etymology
Cosmic, Cosmic Disco, or the Cosmic sound derives from Cosmic Club; referring to the sound of that venue.As such, the term is principally associated with Baldelli, who makes a claim to its invention.Cosmic Club tribute album featuring Baldelli uses both Afro and Cosmic in reference to the music.Austria and Southern Germany to the present day.Retrieved on 5 November 2007
Brewster, Bill (2005).New Beppe Loda Exclusive Mix.Slow Motion Disco, released on the Compost Records label.The tempo is often between 105 and 110 bpm.Typhoon sound (Beppe Loda), Les Pois sound (Daniele Mix), Chicago sound (Ebreo, Spranga and Fari), Cosmic sound (Daniele Baldelli and TBC), Les Cigales sound (Meo, Rubens, Daniele Mix and Joele), Arena sound (DJ Lollo), and so on.DJ but this is not true.Cosmic Club in the same era, championed by DJs such as Daniele Baldelli and Stefano Secchi.But Loda disavows any connection (even though he briefly played at Cosmic), or that cosmic even ranks as a genre.No one had yet defined what we were doing as a group, though.What do you call this melting pot of music?Afro series of mix tapes was born.My new style of DJing was born at Le Cupole in 1979 and, yes, it was a mix of different styles, but it was not the Afro style as a whole.My short residence at Cosmic would be crucial to what people now call Cosmic music.DJs and I used to play in that period.Naturally, even if it is still used today, this term was inappropriate, unless one considers Afro as the only root which influenced the various musical styles of Daniele Baldelli.Reggae voice played at 45 rpm.Mixing 20 or so African tracks on the same electronic drum pattern or by playing them together in batucada with Kraftwerk, using the same electronic effects of a synthesiser to overlap pieces by Miram Makeba, Jorge Ben or Fela Kuti and also by uniting the Indian melodies of Ofra Haza or Sheila Chandra with the German electronic sounds of SKY RECORD.This page was last modified on 28 January 2008, at 21:39.Yorubas brought their religion to Cuba during slavery.
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