C.M. Von Hausswolff biography, C.M. Von Hausswolff discography
His main tools are recording devices (camera, tape deck, radar, sonar) used in an ongoing investigation of electricity, frequency, architectural space and paranormal electronic interference.Sound as Media at ICC in Tokyo (2000), the Venice Biennale (2001, 2003 and 2005) and Portikus, Frankfurt (2004).Hausswolff received a Prix Ars Electronica award for Digital Musics in 2002.EVP) a researcher who claimed to have detected voices of the dead hidden in radio static.Hausswolff's own sound works are pure, intuitive studies of electricity, frequency and tone.WhiteWalls, Chicago, 2003) and "Red Mersey" (Liverpool Biennial, 2004).He is also the curator and producer of freq out.This page was last modified on 4 November 2008, at 18:52.All text is available under the terms of the GNU Free Documentation License.The Complete Operations Of Spirit Communication
17.Phonorama currently at the ZKM in Karlsruhe.Venice Biennale, Nordic Pavilion, 2001
Pont St.He lives and works in Stockholm.Between 1996 and 1998 Hausswolff boiled away even more ornamental meat from the bone: his works are pure, intuitive studies of electricity, frequency functions and tonal autism within the framework of a conceptual stringent cryption.Hausswolff's music has been performed throughout Europe and in North America.Vargaland, a new country established as a work of art.Life And Death Of Pboc (LP)
Radium 226.To Make Things Happen In The Bunker Via The Micro Way (CD)
Fire Inc.Bitter Moon (LP)
Radium 226.Armaments And Armatures Against Electronic Music (CD)
Earlier Than Before (R...KKH 1 Lock Grooves (7")
Tip Of The Iceberg Sti...Sound (5x12", Pic, Ltd + 2xCD, Album, Ltd + Box)
Two In Line Waiting Wi...Help
Contributing to Discogs
Quick Start Guide
Buying
Selling
Help Forums
more...In 'Hashima, Japan 2002', the subject of research is the island bearing the same name, an ex mining zone in front of Nagasaki, which, in the last century, was the object of an 'industrial colonization' project by Mitsubishi corporation.The island of Hashima, one of the most densely populated zones on the planet in the Fifties (835 people per hectare), was completely abandoned in the Seventies, due to the mines being closed.It's a memorial to the retreat of capitalism, with no residual people left behind, collapsed due to profit implosion, with no worries or guilt feelings for these people's lives and destinies.The other work by this duo is also remarkably interesting (though less powerful): it's centered on the ancient oasis of 'Al Qasr', in Egypt, another leftover space, equally uninhabitable and desolate, a reality emerging out of particular architectural morphologies due to the presence there of a primary raw material (coal or water).In this work, the soundtrack, is permeated by subtle exoticisms, with flavors and voices taken from the local tradition.This weblog is licensed under a
Creative Commons License.His music uses drones with elegant surface details and his concerts are often very physical experiences due to the vibrations of the low frequencies he uses.Carl Michael von Hausswolff and Thomas Nordanstad's film Hashima is showing as part of the Screen Environments (Cinema 1).You may give each page an identifying name, server, and channel on
the next lines.Days since last visit
s.His main tools are recording devices (camera, tape deck, radar, sonar) used in an ongoing investigation of electricity, frequency, architectural space and paranormal electronic interference.Sound as Media at ICC in Tokyo (2000), the Venice Biennale (2001, 2003 and 2005) and Portikus, Frankfurt (2004).Hausswolff received a Prix Ars Electronica award for Digital Musics in 2002.Leif Elggren and John Duncan.Welcome to the new Last.In August 2003, Lampo invited Swedish artist CM von Hausswolff to do a project specific to Chicago.While taking in the sights, he recorded building vibrations, passing breezes and overheard speech from tourists.Hausswolff's new piece is his rumination on security and paranoia.Is it better to dwell in a cave or in a skyscraper penthouse?Sites include a gas station, church, supermarket, housing project, warehouse, correction facility and a hot dog stand.Stene, Stockholm in April 2004.His main tools are recording devices (camera, tape deck, radar, sonar) used in an ongoing investigation of electricity, frequency, architectural space and paranormal electronic interference.Sound as Media at ICC in Tokyo (2000), the Venice Biennale (2001, 2003 and 2005) and Portikus, Frankfurt (2004).Lampo first presented CM von Hausswolff in February 2001, when he performed "Circulating over Square Oceans" with sonar, radar, oscillators and microphones.Prices are postage paidin the U.
|
