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Hackamore Brick biography, Hackamore Brick discography
"Great odd album that answers the question 'what would the Velvet Underground sound like if they had come from a folk background?They can't decide if they're hippies or artsy weirdos, and this record makes one think they could have pulled off either if they really wanted to.Some of the lyrics are introspective.Something here to appeal to every variation of freak out there.UK, Japan, Taiwan, Korea, More...UK, Japan, Taiwan, Korea, More...We are closing down this store due to terrible customer ervice and it being bought by another company.Wherein the world of music is explored, one record at a time.Like there was this one time I was talking through the Mission here in San Francisco and this guy was walking down the street with a parrot on his shoulder.And this guy, this bird man, didn't even acknowledge the kid.If you've got a bird on your shoulder, I'm sorry, but you've got to be prepared to do some kind of stop and chat.Joni Mitchell and Buffalo Springfield.So it's good to know that they were listening to what was happening back home.This tune, as well as the moody title cut, were written by Paula Stone.Having trouble finding out more about her, but she appears to have also written songs for Edu Lobo and Richie Havens."For What It's Worth" e."Righteous Life" is a stunner.By then Hall had hooked up with Sergio Mendes tourmates Herb Alpert and his Tijuana Brass and began seeing (and eventually marrying) Herb Alpert.Herb Alpert and his Tijuana Brass and Sergio Mendes and his Brasil '66 ever got together to play soccer or basketball or if they were more like vicious rivals, often engaging in chain fights.Lani's strong, intimate way of singing made her a prime candidate for a solo career, which she began with Alpert at the console.Out comes Sundown Lady in '72.Take a look out towards the horizon.Imagine kicking a beach ball across the sand .You could say that we are like porridge.Swedish Joni Mitchell" by anyone who has tried to write about her (admittedly not that many).Being who I am, and given my obsession with finding things like "the Turkish Bob Dylan" and "the Sudanese Nick Drake", I set out to find her records upon seeing this scene and hearing her music.There are similarities (namely her cover of "I Had A King."But I don't know a lick of Swedish, so I don't know how Turid ranks up there, but she has some great songs.Get ready to feel the magic!Squeeze (1973)Okay, I really think this record gets a bad rap.But it does have Doug Yule.Yule Velvets, love the live bootlegs with him in the band, and love what he brought to the sound.If this was labeled fairly and released as a Doug Yule solo record, I think people would talk about it more.But it's soft, yet wiry version of these things with a heavy '50s influence.It's not authentic, it's weary and very much the sound of a city band.But Linda Lewis is not a little boy at all.In fact she was about 22 years old when she recorded Lark.Lewis is very much the British equivalent of Minnie Riperton, with her band Ferris Wheel in the place of Riperton's Rotary Connection.If we're going to further the comparison, Lark is her Come to My Garden.But the track I'm all about is "Ain't Gonna Hurt No Nobody", which is just one of those tunes that has been rolling around in the back of my head for years.Not quite redolent of the yacht style, but not the dirty back alley stuff, either.After all, it ain't gonna hurt nobody .The title seemed to promise so much more.That guy was totally awesome.The Falcon and the Snowman.But I've got to watch the movie now, as this soundtrack is SO great.The slinkiest paranoid funk ever.Put on the opening track and was just knocked out.Totally slick funk in the vein of the Mizell brothers.About Me
Name: Jonathan C.You could say that we are like porridge.This is a paragraph of text that could go in the sidebar.
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