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Hakan Hardenberger biography, Hakan Hardenberger discography
For reviews in languages other than English, please contact Hakan Hardenberger's
Local Managers.Hardenberger played elegantly and soared unchallenged above them.His trumpet excited the saxophone quintet assigned to it to frenetic outbursts into the jazz region.With his electrifying work, Zimmermann explodes all the artfully raised old boundaries.Janowski and the RSB stand full of devotion at his service and that of his soloist.Wild ride on horn and hide
It was a breathtaking performance by two highly proficient performers.The ticket price was worth it for his encore alone, a pianissimo solo improvisation on the jazz standard 'My Funny Valentine', greeted with tempestuous applause.Countless happy choices of phrasing, speed and volume, things you could hardly believe the music had in it, added up to a truly outstanding performance.MOB pieces was a delicious contract, sly and witty and immediately appealing.Again there was an amazing virtuoso technique to admire and a sense of humour that brough the music to life.New Zealand Symphony Orchestra over the weekend.Haydn Concerto may have had seen the Swede make the occasional falter but these were mere ruffles in the infectious drive of the outer movements.Hardenberger produced a beautifully clear, sweet, silky tone with all the hard, brassy edges smoothed.MOB Pieces for solo trumpet and small chamber orchestra was an engaging work that was hard to compartmentalise, with an eclectic mixture of styles and rhythms that appeared vaguely familiar and accessible.Each piece, like chameleon, reflected a different imagery, a new collage.MOB Pieces, feelgood pieces with a high entertainment factor, that introduced the audience to some marvelloisly atmospheric trumpet playing.Every composer would be glad about his performing skills.Taking up the trumpet at the age of eight under the guidance of hometown teacher Bo Nilsson, Hardenberger pursued further studies at the Paris Conservatoire, with Pierre Thibaud, and in Los Angeles with Thomas Stevens.Hardenberger has even been called "the best trumpeter on earth" by The Times.This article on a musician who plays a brass instrument is a stub.You can help Wikipedia by expanding it.This page was last modified on 18 October 2008, at 23:08.Hardenberger and his Warm Up Routine.He started by talking briefly
about his own trumpet background:
I was lucky that I got a good
teacher, Bo Nilsson, right from the start.All these teachers had their
predecessors and great teachers.It is so simple and primitive
that it gets complicated.We have two raw materials,
one is the vibration of the lips, and the other is air.This is the kernel of the whole system.If there is any experience I have gained when listening
to people all over the world, it is that people are not using their ears
properly.Any questions about what I
just said?Here
I do bends at first.Anyone who wants to try?What do you do when you
bend?You make no extra push with the air.Schlossberg book written by his son in law.It is not what you practice, but
how you practice.Many do not succeed when they
try these bends.This is
a sign of stiffness.You have to solve that problem first.This is my main section.Once in my life I was forced
to work a lot on this.Earlier I had never been used
to that.If you are overwhelmed by
panic, you will never play again.If you have this
basic attitude all the time: You shall not force anything!You just continue
with the next exercise.How many of you play a sport
like tennis or golf?The same
feeling as when you hit with a perfect stroke.This is what I try to introduce now.It should be lovely to play the trumpet right from the start of the
day.To place the trumpet on the lips should be a good feeling.Do this with your trumpets!The feeling for the trumpet is not developed.He worked a lot with this.Just like the pedal tones are nothing new.HH plays Stamp 1 on the mouthpiece)
What do we have?But it is not only about playing the exercise but also using
your ears!It all start here (plays Stamp
1 on the piano).Can you play it without me playing it on the piano?It takes years of practice
to develop the right reflex on this.Nevertheless it can go to hell sometimes.At this moment you are actually
warmed up.HH plays Stamp 3 on the trumpet)
What then later happens in
the Stamp exercises, is that one expands the established feeling in different
directions.His exercises
are in the wrong order in the book, but it is exactly the same case.You get into articulation,
you get into finger exercises, you get into different stuff and it is very
easy that some of this make the balance tip over.Stamp was a man with two heart
attacks who had to find a minimally strenuous way of playing.His system builds more on flexibility
and relaxation, while Maggio and Gordon are more based on the muscular
part.But there are parts of Stamp going in that direction.The 3 main systems in Stamp
There are 3 main systems in Stamp,
3 main warm ups.This is the one that is best to start with.When you work with the sixth it is an interval you have to keep
down.This is the long Stamp
exercise, (plays Stamp 4a) with it's inverted figures when ascending (Stamp
5).He keeps the same fingers
as on the note before the pedal note.F) to enhance the feeling of building a pillow on the pedal
note as a protection.There exist some terrible texts about smiling.Then
you thin out the musculature.This warm up takes approx.Use of air
The use of air?If you have established the
right balance it is a fact that we all can breathe.The other night I had a long and nice conversation with Birgit
Nilsson about this.She was as angry as me with all those trying to explain
that you can push with the diaphragm when inhaling.If I have done nothing to disturb
the resonance box then the breath can be natural.Then the feeling of air
out is much the same as air in.There are many who make a nice air intake
and then later disturb everything.Everything could be like a solo in a Brahms symphony.And
your ear has to take part in this.Many practicing at home play to favour their own ego: Look
what I can!Swedish dialect into Norwegian and finally into English).
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