ICP Orchestra biography, ICP Orchestra discography
Han Bennink and
Willem Breuker in 1967.He has performed in duo with Han Bennink for
more than 30 years and led the ICP Orchestra for more than 20.Tobias Delius was born in Oxford, England but grew up
playing tenor saxophone in Germany and Mexico.Corkestra,
and Georg Graewe Quintet.During his
studies he joined contemporary music ensembles (ASKO ensemble) as well
as improvised music groups (Curtis Clark, Hans Dulfer, JC Tans, Theo
Loevendie).He doubles on piano in Glerum Omnibus with Clemens van
der Feen and Owen Hart.Schleswig, Germany, and studied at the
Conservatory in Cologne until 1987.Thomas is member of
several ensembles such as the Berlin Contemporary Jazz Orchestra,
European Jazz Ensemble, Aki Takase Quintet, Tome XX and of course has a
duo with bassist Dieter Manderscheid.Richard Barrett, John Cage, Chaya
Czernowin, Morton Feldman, Brian Ferneyhough, George Lewis and Iannis
Xenakis among others and worked alongside improvising musicians such as
Ab Baars, FURT, Tristan Honsinger, Joelle Leandre, George Lewis, Phil
Minton and Evan Parker.The ICP, or Instant Composers Pool, Orchestra recorded relatively little, but achieved international acclaim for its sophisticated improvisations, ingenious interpretations of landmark composers such as Duke Ellington and Thelonious Monk and for the band members' extraordinary level of musicianship.Both also had different takes on music theater, which ICP got involved in the late '60s.So, both led their own ICP gigs, with Bennink (who didn't choose sides) performing in both, although more often with Mengelberg.Breuker's group included such musicians as bassist Maarten Altena, trombonist Willem van Manen, saxophonist Peter Bennink (Han's younger brother), pianist Leo Cuypers and keyboardist Michel Waisvisz.Months before this, the core duo and Parker were joined by Bailey, saxophonist Peter Brotzmann, trombonist Paul Rutherford and Peter Bennink to record a septet album, Groupcomposing.Misha, Han Bennink and American tubist Larry Fishkind were mainstays.The first of the lasting members came three years later, when trombonist Wolter Wierbos joined.Reedsman Michael Moore came on board not too long after, first appearing on Japan Japon (DIW, 1982), as did violist Maurice Horsthuis, who was soon followed by his Amsterdam String Trio bandmates, bassist Ernst Glerum and cellist Ernst Reijseger (Reijseger, Moore and Bennink also formed another group together, the Clusone 3).Due to the larger roster, the "instant composing" tenet shifted slightly to "conducted improvisation."ICP Orchestra has recorded tributes to Thelonious Monk and Herbie Nichols (ICP 026) in 1984 and 1986, respectively.Mengelberg has also led the group in many brilliant (but unrecorded) programs of Duke Ellington's music.The ICP Orchestra didn't record again until 1997, this time for HatArt, resulting in the critically hailed album Jubilee Varia.Breuker wanted tunes and rehearsals, Mengelberg wanted instant composing.Leo Cuypers and keyboardist Michel Waisvisz.Months before this, the core duo and Parker were joined by Bailey, saxophonist Peter Brotzmann, trombonist Paul Rutherford and Peter Bennink to record a septet album, Groupcomposing.Misha, Han Bennink and American tubist Larry Fishkind were mainstays.Rotating members included Brotzmann, Tchicai, cellist Tristan Honsinger, saxophonist Keshavan Maslak, trombonist George Lewis and saxophonist Paul Termos.Tentet in Berlin (SAJ, 1978).ICP Orchestra has recorded tributes to Thelonious Monk and Herbie Nichols (ICP 026) in 1984 and 1986, respectively.HatArt, resulting in the critically hailed album Jubilee Varia.Joslyn Layne, All Music Guide', 'The ICP, or Instant Composers Pool, Orchestra recorded relatively little, but achieved international acclaim for its sophisticated improvisations, ingenious interpretations of landmark composers...Write a ReviewYour TakeTell the world what you think about ICP Orchestra!"Visit other CBS Interactive SitesSelect SiteBNETCBS College SportsCBS RadioCBS.First of all, their leader, head arranger and pianist is Misha Mengelberg who has been a major figure on the Dutch jazz scene since the 1960s.His reputation for percussive anarchy sometimes obscures the fact that he is one of the great drummers of jazz and improvised music.This is truly one of the great bands in jazz and we think the ICP Orchestra is the perfect way to kick off the 2008 fall season of atrium concerts.He has performed in duo with Han Bennink for more than 30 years and led the ICP Orchestra for more than 20.For more information, see the European Free Improvisation pages or All Music Guide.In addition to playing solo concerts and his own trio, Ab Baars (clarinet, tenorsax) is a regular guest with the EX, Cor Fuhler, Michael Moore, and Michiel Scheen.Since 1990, his main focus has been on the Ab Baars Trio, which led to tours with Steve Lacy and Roswell Rudd; a collaboration with the Nieuw Ensemble, shakuhachi player Iwamoto and conductor Butch Morris at the festival Improvisations.He frequently performed with such artists as Steve Lacy, Lee Konitz, Uri Caine, Teddy Edwards, Benny Maupin, Jimmy Knepper, Jamaladeen Tacuma, John Zorn, Bud Shank, Art Hodes, Don Byron and many others.Thomas Heberer (trumpet) was born in 1965 in Schleswig, Germany, and studied at the Conservatory in Cologne until 1987.Since then he has performed with musicians such as Muhal Richard Abrams, Pina Bausch, Dave Douglas, Maria Joao, Howard Johnson, Bob Moses, David Moss, Evan Parker, E.Petrowsky, Enrico Rava, Alex Schlippenbach, Elliott Sharp, Tomasz Stanko and Attila Zoller.There he worked with Joseph Allard, Jaki Byard, Joe Maneri, Gunther Schuller, George Russell and others.Mary Oliver was born in La Jolla, California, and studied at San Francisco State University (Bachelor of Music), Mills College (MFA) and the University of California, San Diego where she received her PhD in 1993 for her research in the theory and practice of improvised music.Since 1979 he has performed with with Henry Threadgill, The Ex, The Berlin Contemporary Jazz Orchestra (led by Alexander von Schlippenbach), the European Big Band (led by Cecil Taylor), Sonic Youth, the John Carter Project, Mingus Big Band (Epitaph, directed by Gunther Schuller) and many others.Responses are currently closed, but you can trackback from your own site.Subscribe to our mailing list."Please enter your email address."Sponsored by Key Largo, Florida Keys and Fort Jefferson.Arcata on its 40th Anniversary Tour.This will be a night for the Humboldt history
books.ICP Orchestra have retained the
lively absurdism and unbridled expressionism so integral to their identity...As the name implies, everyone
involved shares credit: everybody in the Pool.Read Bob Doran's Interview with Misha Mengelberg!OnlineSeats offers premium unique Icp Orchestra tickets.Icp Orchestra tickets may be purchased online through our guaranteed safe and secure server.Icp Orchestra live or just simply to find out more information about them such as tour dates and times.We carry an extensive inventory of tickets for Icp Orchestra and just about any concert across the country, major golf events, MLB and World Series tickets, Super Bowl tickets, Las Vegas entertainment, Broadway shows and all sporting events.Please be advised: We are not affiliated with any box office, venue, sponsor, team, performer or other organization.Buy Icp Orchestra Tickets Now !Icp Orchestra tickets may be purchased by following any of the links on this page.Icp Orchestra tickets at the best price on the internet.Icp Orchestra events across the country.In addition to all mlb baseball tickets, we also provide concert tickets, nfl football tickets, nba basketball tickets, ncaa basketball tickets, pga golf, major tennis events, major boxing event tickets, music concert tickets, comedy show tickets, and theater tickets including but not limited to las vegas shows and broadway shows.Icp Orchestra tickets and tomorrow for any of your other entertainment needs!When you find Icp Orchestra tickets that you would like to purchase,they can be purchased online via our encrypted safe and secure server.Or if you prefer,you may order by phone.All tickets will be sent via federal express.If this is not the case, we will need to obtain a fax written authorization from you.However,if the tickets you wish to purchase are no longer available, we will contact you immediately and you will be given other options or you may choose an alternative set of tickets that we wil try to offer similar to the price range of your original order.Tickets are sold for more than face value.Misha's formulation posited improvisation as formal composition's equal (if not its superior, being faster).Misha in: espresso cup rattling in its saucer announces his approach to a stage) recognized as a sham substitute, however aggressively sold.Fluxus art movement he was involved with around then: put individual words on strips of paper, place in a jar and shake.Years later it became a commercial novelty: words on tiny magnetic tiles you can arrange on a refrigerator door.Fluxus was inviting because it stood for nothing, had no ideals to defend.One solution was that symbol of '60s kookiness, the multimedia Happening.Schippers in the '70s and '80s, and the fluid play of styles, unbinding rules, lyricism and barnyard humor that characterize the ICP Orchestra today.Misha was as happy to think about music as play it.He said in an interview not long after, for me a few gigs a month is plenty.Willem was a kindred spirit on several levels.He had hellfire as a tenor saxophone or bass clarinet player, untutored enough (and eclectic enough in his tastes, jazz being just one of his interests) to sound like nobody so much as himself.He was also a conceptual composer full of odd ideas: barrel organ music out of John Cage; a piece conducted by a toy, which no one could see because it was for radio.They gave it catalog number ICP 001.And then, as Breuker tells it, Misha said, I too am part of ICP.They were already interested in the big picture: not just the improvised moment, or the shape of a piece or set or entire evening, but in how the ways people deal with each other off stage help shape the music.Bennink trio gigs which garnered a few witty negative reviews and other perplexed responses, but that molecule was too unstable.The modern ICP Orchestra begins to take shape in the early '80s when newer recruits Maurice Horsthuis, Michael Moore and Wolter Wierbos begin to emerge from the rumbling rubble of the '70s band.Violist Horsthuis and his colleagues Ernst Reijseger and Ernst Glerum from the Amsterdam String Trio put ICP's string section on a par with the versatile brass and reeds.Dutch extraverted sound, which is not to say they neglected their Ellington models.Ellington was subject of one of three '80s repertory projects that served, among other things, as object lessons for the younger players, on the value of pretty melody and voicings (Ellington), the construction and subversion of chords (Monk) and how to devise chord progressions that move in funny ways, with funny timing (Herbie Nichols.Misha is very picky about trumpeters, and with so many bad ones around no wonder, but the first time he heard Thomas Heberer at a rehearsal in Berlin, he said, someday I'll find a place for you.Even rehearsing, Misha gives little verbal direction.It was always the ICP Orchestra, never the Misha Mengelberg band, though he's always been its guiding intelligence.ICP has touched on more of them, in less regimented and more fluid settings, than any band around.As the name implies, everyone involved shares credit: everybody in the Pool.Make a donation and support All About Jazz
Contribute to the continued operation of
jazz's most important online resource.
|
