Quinteto Andre Fernandes biography, Quinteto Andre Fernandes discography
The best of nine portuguese jazz bands, recorded live during a jazz festival at Casino Estoril, between March and June 1999.Lee Konitz Big Band feat.During his time in the USA he studied with Hal Crook , John Abercrombie, Jerry Bergonzi, Mick Goodrick, Kenny Werner, among others.Tone of a Pitch label and studios, and released his first CD as a leader: "O Osso" (Toap001).Jazz Orchestra, as well as having his comissioned piece for jazz septet performed at the Festival.Franco + David Binney "This Life."OJM featuring Lee Konitz, dir.Durante a sua estadia nos EUA estudou com Hal Crook , John Abercrombie, Jerry Bergonzi, Mick Goodrick, Kenny Werner, entre outros.Actua e grava com o quarteto de Perico Sambeat.Lee Konitz Big Band, dir.Fluxure Advanced Motion Media, Inc.This is a paragraph of text that could go in the sidebar.These regulations constitute a transitory measure born of practical considerations and which must of necessity precede a general revival.It is forbidden in publications, reports, programs, printed or verbal announcements, etc.In jazz terminology, the adoption of the "growl" on brass wind instruments, and also the "scratchy" clarinet tone.Also the use of any intentional instrumentalization of the singing voice by substituting senseless syllables for the words in the text by "metalizing" the voice.In jazz terminology, the use of "hot" intonations.Also the use in Negro fashion of dampers on brass and woodwind instruments in which the formation of the tone is achieved in solo items with more than the normal pressure.Likewise forbidden, in the melody, is any melody formed in the manner characteristic of Negro players, and which can be unmistakably recognized.In jazz terminology, any adoption of "licks" and "riffs" repeated more than three times in succession by a soloist or more than sixteen times for one section or for two or more sections.Also the exaggeration of Negroid bass forms, based on the broken tritone.Instruments Banned: Use of very primitive instruments such as the Cuban Negro "quijada" (jaw of a donkey) and the North American Negro "washboard."There is no objection to providing a chorus with percussion solos in places where a break could also come, but at not more than three such places.
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