soundtrack history, soundtrack songs, soundtrack artists
For the digital music creation software of the same name, see Soundtrack Pro.In film formats, the soundtrack is the physical area of the film which records the synchronized sound.First conceived by movie companies as a promotional gimmick for new films, these commercially available recordings were labelled and advertised as "music from the original motion picture soundtrack."This phrase was soon shortened to just "original motion picture soundtrack."Soundtrack has since come to denote three different things: (1) the recorded sound accompanying a visual medium such as a motion picture, television show, or video game, (2) just the music in it alone, or (3) a genre of music ("soundtrack music" or "soundtracks").The abbreviation OST is often used to describe the musical soundtrack on a recorded medium, such as CD, and it stands for Original Soundtrack; however, it is sometimes also used to differentiate the original music are heard and recorded versus a rerecording or cover of the music.Sometimes, the music has been recorded just for the film or album (e.Often, but not always, and depending on the type of movie, the soundtrack album will contain portions of the score, music composed for dramatic effect as the movie's plot occurs.Saens recorded the first music specifically for use in a motion picture (L'assasinat du duc de Guise), and releasing recordings of songs used in films became prevalent in the 1930s.Henry Mancini, who won an Emmy Award and two Grammys for his soundtrack to Peter Gunn, was the first composer to have a widespread hit with a song from a soundtrack.By convention, a soundtrack record can contain all kinds of music including music "inspired by" but not actually appearing in the movie; the score contains only music by the original film's composer(s).Soundtrack may also refer to the music used in video games.Koji Kondo was an early and important composer for Nintendo games.As the technology improved, polyphonic and often orchestral soundtracks replaced simple monophonic melodies starting in the late 1980s and the soundtracks to popular games such as the Dragon Quest and Final Fantasy series began to be released separately.In addition to compositions written specifically for video games, the advent of CD technology allowed developers to incorporate licensed songs into their soundtrack.The Grand Theft Auto series is a good example of this.Book soundtracks
Only a few cases exist, of an entire soundtrack being written specifically for a book.This was an eccentric, experimental project, in contrast to all other soundtracks, as the composer was allowed to convey general moods and themes, rather than having to write music to flow for specific scenes.The 1985 novel Always Coming Home by Ursula K.Le Guin, originally came in a box set with an audiocassette entitled Music and Poetry of the Kesh, featuring three performances of poetry, and ten musical compositions by Todd Barton.In comics, Daniel Clowes' graphic novel Like a Velvet Glove Cast in Iron had an official soundtrack album.Trosper by Jim Woodring included a soundtrack album composed and performed by Bill Frisell.Many audio books have some form of musical accompaniment, but these are generally not complex enough to count as a complete soundtrack.This article needs additional citations for verification.Please help improve this article by adding reliable references.IMDB soundtrack section
the Soundtrack INFO project
Soundtrack.Soundtrack Reviews and Composer Interviews
Soundtrackcollector.This page was last modified 16:05, 12 January 2008.See Wikipedia's guide to writing better articles for suggestions.The neutrality of this article is disputed.Please see the discussion on the talk page.January 2007)
Please do not remove this message until the dispute is resolved.Soundtracks themselves are not limited to film.One may find soundtracks to television shows, ranging from ER to the anime Cowboy Bebop, and video games such as the Final Fantasy series.Soundtracks can be divided by purpose and placement.Origin
2 Score (background music)
2.It is likely the film soundtrack came into existence about the same time as films themselves.Early films were silent, but were released with cue sheets or scores so that individual theater houses could play music, recorded or live, at appropriate places in the film.With the advent of talkies in 1927, music was optically integrated into the actual film itself, and the wide world of film soundtracks was born.This is arguably the most common type of music heard on a film soundtrack, is music composed and placed to enhance the desired emotion of a scene, be it positive or negative.Most background music follows a general pattern of instrumentation and technique to achieve whatever ends the composer desires.Movies with notable soundtracks consisting mainly of background music include the Lord of the Rings movie trilogy (Howard Shore, composer), Star Wars (John Williams, composer), The Mission (Ennio Morricone, composer) and The Piano (Michael Nyman, composer).The theme is usually repeated throughout the course of the film.Sometimes, it is introduced early and manipulated with regards to tempo, key, and instrumentation to fit the particular mood.It may be slowed down for a romantic moment or sped up for stressful emotions.It may be placed in counterpoint with another theme to show a relationship.In certain cases, this song may be sung (usually by a popular singer unrelated to the rest of the film) during the credits, but instrumented when inserted into the film.The theme of a film may eventually come to symbolize a character or the film itself, to the point where the original purpose of the theme may be lost.Themes are usually titled for the movie they occur in, such as The Theme from Schindler's List or Theme from the Magnificent Seven, and may be distinguished as to why they occur, such as the Love Theme from Romeo and Juliet.Title song
A title song is a theme, usually sung to lyrics, and associated with a particular movie that is heard in toto during the credits and rarely anywhere else in the film, except in the case of musicals.Usually the title song is composed for the movie itself, but sometimes existing pieces are used, especially when a current movie is set in a recent era that possessed stereotypical music, such as disco.These songs often go on to be commercial successes even if the movie was forgettable, though the fate of both movie and title song are intertwined.One wonders if "My Heart Will Go On" would have become such a hit had not Titanic succeeded as well as it did.Occasionally, a film will have both a popular orchestrated theme and a sung theme.Several films of this time originated as musicals, some of which were later adapted to the stage (e.Besides the sung portions, there is also background, or "incidental," music used to underscore dialogue (as in stage musicals); this background music may be more prominent in film musicals, because of the greater capacity to have scenes of transition or with special effects.Gone with the Wind) may at times use recurring themes in the background music, the underscoring, including dance music, in a film (or stage) musical is usually more specifically derived from themes that occur in the vocal numbers.The Best Little Whorehouse in Texas).Sometimes the original creators of a stage musical have little or no connection with the film version once the film rights have been bought.The recordings presented on a soundtrack album from a film musical may not always correspond with the version shown on screen.This practice allows for other voices to be used for the sung portions than those of the featured actors.In this case, often the singers themselves serve as the actors, but sometimes professional actors use those singers' voices before the camera.Dion (Beauty and the Beast).Over the years, a number of songwriters have been associated with their work for Disney films, among them Frank Churchill, Leigh Harline, George Burns, Robert B.Howard Ashman, and Tim Rice.SftM are discrete songs, almost always not composed specifically for the movie, heard during the course of the movie itself.An SftM used as background music functions much in the same way as an orchestrated piece would.The main difference is its existing as a full, independent song without being a theme (and thus played only once during the film), though a piece such as Shaft would traverse that boundary.SftM is playing, it functions as background music, so it would be rare to see a gang fight scene with a giddy SftM unless the director were going for irony.The average movie soundtrack will contain eight or so SftM by popular artists tangentially or unrelated to the film itself.Forrest Gump's soundtrack is one of the best selling of all times and reads almost like a laundry list of popular tunes from the Baby Boomer generation.Songs inspired by the movie
A somewhat recent invention, songs inspired by the movie are almost always not actually played in the movie itself.Apocalypse Now (another hit, memorable use of the Ride of the Valkyries by Richard Wagner)
Black Hawk Down (by Hans Zimmer.Miami Vice (TV soundtrack that stayed at the top of the album charts for 11 weeks in 1985)
Mo' Better Blues (established Gang Starr's reputation and helped launch jazz rap)
O Brother Where Art Thou?Grammy winner)
O Lucky Man!Alan Price of The Animals, who also acts in the film)
Once Upon A Time In America (Sergio Leone's last film was brilliantly scored by his long time collaborator Ennio Morricone)
Pat Garrett and Billy the Kid (all original music by Bob Dylan, including his hit, Knockin' on Heaven's Door.Revolution)
Reservoir Dogs (soundtrack deliberately chose the "worst" songs of the 1970s, became a cult favorite)
Saturday Night Fever (massive hit mostly by the Bee Gees, brought disco to the mainstream)
Shaft (hit by Isaac Hayes, his biggest record and Academy Award winner)
Space Jam (popular tracks by Seal, and R.Kelly)
The Sound of Music, based on the film adaptation of the Rodgers and Hammerstein musical starring Julie Andrews.This soundtrack has since sold 11 million copies worldwide.Tie) O Brother, Where Art Thou?For example, Quentin Tarantino's use of "La La Means I Love You" and 1970s Philly soul group The Delfonics led to a renaissance in hipness for the band some fifteen years after their mainstream success ended.Dion's "My Heart Will Go On" from Titanic
Stealers Wheel's "Stuck in the Middle with You" from Reservoir Dogs
Dick Dale's "Misirlou" from Pulp Fiction
Lynyrd Skynyrd's "Tuesday's Gone" from Dazed and Confused
The Proclaimers' "I'm Gonna Be (500 Miles)" from Benny and Joon
Simple Minds' "Don't You (Forget About Me)" from The Breakfast Club
Whitney Houston's "I Will Always Love You" from The Bodyguard
R.Beethoven) , used in many films
Symphony No.Immediate Music (used 19 times)
Bram Stoker's Dracula (1992)Wojciech Kilar (used 18 times)
Mortal Kombat (1995)George S.So DO NOT email us questions about what music was used in what trailer.The titles are the same as the ones used in the Internet Movie Database which you can check for further information about the movies.THEATRICAL TRAILER : the official theatrical piece, usually cut from the first (very long) cut of the picture or sometimes (if there is no first cut yet) from dailies (all the shot footage, including all the different takes and angles), maximum length of a trailer is two and a half minutes.They usually don't have much to do with the theatrical trailer and are produced completely seperate from the theatrical campaign.HOME VIDEO TRAILER: A seperately produced trailer used to advertise new home video releases or movies coming soon or in theaters right now.They are produced by the home video departments the studios and usually have a much smaller budget than the theatrical trailers.DVD TRAILER : These trailers are usually the same as the regular theatrical trailer, but because of the deluxe format of DVD, may actually contain alternate and rejected trailers for any specific promotional campaign.INTERNET TRAILER : These trailers are usually created exclusively for the internet, and might contain music not used in the theatrical release versions.SONY CLASSICAL TO RELEASE ORIGINAL MOTION PICTURE SOUNDTRACK OF ANDREW LLOYD WEBBER'S THE PHANTOM OF THE OPERA
Really Useful Films is delighted to announce that Sony Classical has secured the rights for the original motion picture soundtrack of director Joel Schumacher's film version of the stage musical.Really Useful Records soundtrack recording.Europe for the recording sessions at London's famous Abbey Road Studios.The soundtrack is scheduled for a December 2004 release.Your browser does not support frames!Windows to use Netscape (Keyword: UPGRADE).
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