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Tyler Bates biography, Tyler Bates discography
Tyler Bates is a music producer and composer for films.His most known work includes "The Hangman's Song" and various other tracks from the zombie horror film Dawn of the Dead, and 2008's Day of the Dead.His mother listened to a variety of music so Bates was exposed to a variety of different styles of music; from Jesus Christ Superstar and Hair to Joni Mitchell and the Beatles.Film soundtracks
Dawn of the Dead
"The Hangman's Song"
"How Will Your God Judge You?"You can help Wikipedia by expanding it.This page was last modified on 29 May 2008, at 12:45.All text is available under the terms of the GNU Free Documentation License.Mini Biography:
Tyler Bates spent his formative years in Chicago, answering to his obsession...Dawn of the Dead (Australia) (Canada: English title) (Europe: English title: DVD title) (New Zealand: English title) (UK) ...Zack Snyder's Dawn of the Dead (USA: long title) You Got Served (2004) Gone But Not Forgotten (2004) (TV) ...Phillip Margolin's Gone But Not Forgotten (USA: complete title) How to Get the Man's Foot Outta Your Ass (2003) ...TV series (unknown episodes)Half Past Dead (2002) ...TV series Night at the Golden Eagle (2002) Lone Star State of Mind (2002) ...Roger Corman Presents 'Alien Avengers II' ...Fist of Justice (USA) Not Like Us (1995) Criminal Hearts (1995) Deep Down (1994) ...Dawn of the Dead (Australia) (Canada: English title) (Europe: English title: DVD title) (New Zealand: English title) (UK) ...Roger Corman Presents 'Alien Avengers II' ...Fall Time (1995) (composer: additional music) (uncredited) Self:The Story Behind Baadasssss!The Birth of Black Cinema (2004) (V) ....You may report errors and omissions on this page to the IMDb database managers.With our Resume service you can add photos and build a complete resume to help you achieve the best possible presentation on the IMDb.Terms and Privacy Policy under which this service is provided to you.IMDb is powered by Perl and we are hiring!Find a movie or celeb or critic here!RT's celebrity Tomatometer measures the percentage of all the rated movies in a celebrity's filmography that are "fresh."Bio: Tyler Bates is a music producer and composer for films.His most recent work various other tracks from the zombie horror film Dawn of the Dead.Other projects include The Devil's Rejects, See No Evil and Slither.What's The Worst That Could Happen?There are no Tyler Bates user forums.Be the first to create one!There are no Tyler Bates user fan sites.Be the first to create one!SXSWclick 2008 Call for Entries
Enter to win a screening slot at the 2009 SXSW Film Festival in this 5th annual online shorts competition.This video will appear on your blog shortly.Thank you for sharing this video!Please login to add to favorites.Please login to add to your playlists.This video has no Responses.Be the first to Post a Video Response.Change this to see only comments above a certain value.Im missing a part that im desperate to hear...And why the HELL is there a repeat of the main HalloweeN theme?Would you like to comment?Weather this will stop it or not you will now have to youtube email me for this theme.Message For The Queen Tyler Bates PLAGIARISM ?"Message For The Queen Tyler Bates PLAGIARISM ?"Message For The Queen Tyler Bates PLAGIARISM ?"YouTube recommends upgrading to a safer, modern browsersuch as Firefox.Sign in to get personalized recommendations.No one has created a list or guide tagged "tyler bates" yet.Got images related to the tag tyler bates?The Strangers: What Did You Think?You can't talk about the modern horror movie without discussing the remakes, and while there have been many dogs, one of the remakes that still stands up three years later is Zack Snyder's Dawn of the Dead.No, this is about the musician who composed the film's score, Tyler Bates, who has been making waves in Hollywood after a number of breakout hit movies.Soon after doing the score for Dawn, Bates was working with Rob Zombie on his 2005 sequel The Devil's Rejects and with Dawn writer James Gunn on his directorial debut Slither, placing Bates firmly among the pantheon of modern horror movie composers.Bates' biggest success though would come earlier this year when he reteamed with Snyder to compose the score for a movie based on Frank Miller's graphic novel 300, a huge blockbuster hit that helped the soundtrack record set new sales records.DVD, which took over the San Diego Padres' home Petco Stadium for an evening.We had a chance to sit down and talk with him before the event about his process for creating music while working with Zack Snyder and Rob Zombie on their current and upcoming projects.We're mixing the music even today and they're dubbing the movie, so I'll be writing another ten minutes before Monday I'm sure.Bates: No, I couldn't because it was overlapping with "300" and they wanted me to go to that.He'll come over and heckle me at my house I'm sure.Like "Dawn of the Dead," I just felt that the way Zack made that film, I just didn't feel that the original (music) was relevant to what Zack was making.Part of it is the social commentary that George Romero made in the original.It's cool, but it was so specific to the time and "Dawn of the Dead," the Zack Snyder version, had such a different attitude, and it had to become about something other than the consumerism and all that stuff that was going on in the original."That was cool and this is a different thing."Bates: Well, the main title theme, we definitely destroyed that for the soundtrack album.What do you think about it?"We talked about it and he said, "Would you mind working up a theme for me to go into the Weinsteins and lay out my presentation as far as what kind of movie I want to make?"That was great and they loved it, and it's going on Rob's soundtrack album for the songs.In the context of the film, it's too intense, like it just usurps the drama and that's first and foremost.When Rob called me, I said, "This is a guilty pleasure just to be able to commit those notes of the theme to a movie."When I first saw "Halloween," it just blew my mind and the theme blew my mind, I just loved it.Basically I had done it and they temped it in there.I'm doing it on "Watchmen" as well.Shock: You already started working on music for "Watchmen" even though they haven't started shooting it yet?Bates: I'm going to start flying up there one week per month starting November.Shock: That's interesting you say that because not a lot of composers get that luxury, to create music before a film is edited.Zack is wonderful and we discussed "300" and it was cool and it went well.This was before Warner Bros."Dawn of the Dead," he called me and said "Hey, do you have time to come over and talk to Kurt and I about this project?"Shock: The first time I watched "300," I was blown away by the music, because that's really the one thing you can't get from reading the graphic novel.I'd done like ten minutes of music.From that, we started talking about filming once Warner Bros.At any rate, Zack was filming and he told me "We're going to do this thing.There's this big tent that Xerxes has and all this sex is going on.Bates: Yeah, this is the fifth edition, and it's sold like 150,000 already, which is incredible.It's a testament obviously to the success of the film and then fortunately, I'm very close with some amazing artists, especially Azam Ali, who is the vocalist in the music.Her and I are really good friends and we did a record together, which was her first English spoken collection of music, which we did simultaneously to working on "300."This was music she was really involved in.Shock: How did you meet up with Rob and Zack?Mario van Peebles called "Baadasssss!"Bates: I love it, too, and so the music supervisor G.He knew I made no money, I lost money on it and yet I hung in there and I did a lot of music for Mario.Mario was over the moon about it, and it was really a great project, other than the monetary repercussions, but (Marq) was like "I think you should do 'Dawn of the Dead'" which he was on and they were in the preliminary stages.Read it and maybe put some music together."The orchestra needs to sound like a black fog of death."And I said, "It just needs to be visceral, kind of like Krzysztof Panderecki."My Dad said that if he was directing this movie, he would put Panderecki's music in it."We put on a piece from the CD I compiled for Zack and he was like, "Wow, that's dark sh*t."That's how it happened and fortunately, he believed in me, and "300" was a natural progression and now "Watchmen."He's a loyal person as long as you are committed to doing your own personal best.Doesn't mean you can't make mistakes but as long as you're committed to being your own best, he's a loyal person and I appreciate that.Rob Zombie's the same way.That was a different story.Shock: It's gotta be a different relationship because Rob actually comes from a music background, and in theory, he could do his own score if he really wanted to.Bates: In theory, yeah, and he did on his first movie.I'd met Rob a number of times."Jeff, if you want to tell Rob that if he wants any help with the music on his new movie, I'd be happy to do it.It doesn't mean I have to be the composer guy.Two months later, Rob called me up and he said, "Hey, what's your schedule like?Are you interested in doing this?"Rob was going to like it, so I played this three and a half minute cue for him, I stopped it, turned around and said, "What do you think?"I'd met him but we hadn't had conversations and he doesn't open up very quickly to people.Shock: He's also a musician who has a lot of knowledge about music and musical references, so it must be an interesting collaboration.Bates: Yeah, there's no doubt."Rejects" there were zero changes to music.I'm not saying he doesn't have an influence 'cause we talk and those conversations inform the music as I go anyway.It's always in dramatic terms and I love that.Shock: "Rejects" is an interesting case, too, because that movie was driven by all of its Southern Rock, so how did you work around that compared to something like "300" where it's all music you've written?In that kind of movie, you really need to be able to feel the difference between the two in my opinion.It was really to focus on the texture of the film and the characters and find out how to adhere the music to those people.That movie kind of messed me up a little bit.Bates: They tend to overlap sometimes.I'm not the kind of person to knowingly do that.But the music was really fantastic to me.For instance, to go up and write "Watchmen" for a week every month while they're filming, I do one less job, but I do it, because I know that in order to give Zack what he needs, I have to have the energy and to take the time to think about it and see where he's going with it.As I mentioned, it's hard for me to think musically even though I read them and I have a music background.Bates: Well, I'm not a comic guy, but of course I read it when I knew he was making it, but not until "300" was done and not until he asked me to do it.You can also check out Tyler's ambient pop project Roseland with Azam Ali on MySpace.Disclaimer: This interview has been slightly modified from what was originally posted because a few remarks made by the subject might have been misunderstood or intentions may have been misconstrued in the way they were worded or formatted.CommentsThere are no comments listed in the database.King Kong Attraction Destroyed at Universal
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